Donald Judd: The simple expression of a complex thought.
The project stems from the commissioning of a girl of three years for a place for herself and her sister in the house of his uncle, the bachelor. It takes as a starting point, a former home of the 70 owned by his grandparents.

The live in the 60 to 80 was marked by the acquisition uniformity. Nothing could be further from their interests, that what was different.
A start thinking about the differences. We have to look at the difference the same.
It is intended, with very simple gestures, to earn a place that can evolve over time or far away. A stroke forever, so take in continuous dynamic elements (the wall). Something as static as a wall turned into a think over time, something that paradoxically is antistatic. A table converted into bed, a chair in bed, a chair at the table.
The more clear is how fast we know in the interval between brackets in the hope of happy loss, the emptiness.

We refer to architecture, as proposed J. Quetglas of the imagination, not the illusion, that does not start by illustrations but simply happens.
The project requires dwell on this subjectivities guided by the construction of worlds oblige nuance differences arising from a project away from benchmarks, fees, rules, and it breaks before determining the subject you think.
Construct meanings. No theories to guide their live, but readings.
The housing has to silence, you should not talk. The architecture must question not write.
Getting what it speaks J. Pawson; protected from any kind of fanfare or artifice, or things that are there for superficial reasons. The truth is equated with purity and clarity.